From Thelemapedia

The Star Ruby is a ritual written by Aleister Crowley who described it as a “new and more elaborate version of the Banishing Ritual of the Pentagram.” It is still considered to be an official ritual of the A.'.A.'. The Star Ruby will be performed as the opening ceremony of the Babalon Rising festival, and it is recommend that attendees familiarize themselves with this ritual.

From Thelemapedia

Liber Resh vel Helios, by Aleister Crowley, comprises four daily adorations to the Sun, to be performed at dawn, noon, sunset, and midnight. The general object is to focus the conscious mind on the center of our solar system. We will be performing the four stations of Resh daily during the Babalon Rising festival, and recommend that attendees familiarize themselves with this short and powerful Thelemic ritual. 

Local bodies and loose confederations of wandering ritualistic troubadours from all over the US have presented the Gnostic Mass at Babalon Rising. We are proud to host anywhere from 1-3 Gnostic Mass celebrations throughout the course of the festival.

From Thelemapedia

Aleister Crowley wrote The Gnostic Mass—technically called Liber XV or "Book 15"—in 1913 while travelling in Moscow. In many ways it is similar in structure to the Mass of the Roman Catholic Church. However, the comparison ends there, as the Gnostic Mass is a celebration of the principles of Thelema. The ceremony calls for five officers: a priest, a priestess, a deacon, and two acolytes, called “children”. The end of the ritual culminates in the consumation of the eucharist, which is a glass of wine and the host, called a Cake of Light, after which the congregant proclaims “There is no part of me that is not of the gods!”

It is the central rite of Ordo Templi Orientis and it's ecclesiastical arm, Ecclesia Gnostica Catholica. The Gnostic Mass will be performed at the Babalon Rising Festival by [presenter].

As for why Crowley wrote the Gnostic Mass, he explains in Confessions:

While dealing with this subject I may as well outline its scope completely. Human nature demands (in the case of most people) the satisfaction of the religious instinct, and, to very many, this may best be done by ceremonial means. I wished therefore to construct a ritual through which people might enter into ecstasy as they have always done under the influence of appropriate ritual. In recent years, there has been an increasing failure to attain this object, because the established cults shock their intellectual convictions and outrage their common sense. Thus their minds criticize their enthusiasm; they are unable to consummate the union of their individual souls with the universal soul as a bridegroom would be to consummate his marriage if his love were constantly reminded that its assumptions were intellectually absurd.

I resolved that my Ritual should celebrate the sublimity of the operation of universal forces without introducing disputable metaphysical theories. I would neither make nor imply any statement about nature which would not be endorsed by the most materialistic man of science. On the surface this may sound difficult; but in practice I found it perfectly simple to combine the most rigidly rational conceptions of phenomena with the most exalted and enthusiastic celebration of their sublimity.

Crowley published the text of the Gnostic Mass three times: in 1918 in a publication called The International, in 1919 in The Equinox (III:1), and in 1929 in Magick in Theory and Practice. It was privately performed while Crowley was at the Abbey of Thelema, and it's first public performance was March 19, 1933 by Wilfred T. Smith and Regina Kahl in Hollywood, California at the first Agape Lodge. 

Annual Babalon Rising Ritual
The Feast of the Beast celebratory ritual takes place Saturday night at each Babalon Rising Festival. All guests of the festival are invited to join in the Feast of the Beast as is their Will. The purpose of the Feast of the Beast ritual is to usher in the New Aeon and align all participants with the 93 current through the creation of the "Magickal Child". Attendees are encouraged to dress in costume, either as god-forms or as their higher selves/true selves. Scarlet Women, Satyrs, Warriors of Thebes, Maenads, Black-Robed Mages, Skyclad Nymphs, and all and sundry revelers are more than welcome! After the formal portion of this ritual is complete, midnight Resh is proclaimed and an all-night revel begins. Games with prizes will be ongoing. Feasting areas will be available to all assembled. The Feast of Food tent will contain snacks and beverages. Revelers are encouraged to store any alcohol to be consumed Saturday night in this tent, in order to keep glass away from the main fire. Please donate to the Feast of Food tent as you will. The Feast of Flesh tent will contain areas for consensual massage, experimental touch, cuddling, BDSM, and private areas for more intimate contact. Potential hierodules, doms, subs, massage therapists, Heiros Gamos couples, snuggle bunnies, and other individuals interested in pushing the boundaries of physical ecstasy are encouraged to play in this safe, spiritual space. We hope that the Feast of the Beast is an experience that will not only be enjoyable to our guests, but will also assist each of the participants in the realization and achievement of their True Wills. The aims of the Feast of the Beast ritual are summed up in part by Liber LXXVII, included below.

LIBER OZ
Liber LXXVII
"the law of the strong:
this is our law and the joy of the world." AL. II. 2
"Do what thou wilt shall be the whole of the Law." --AL. I. 40
"thou hast no right but to do thy will. Do that, and no other shall
say nay." --AL. I. 42-3
"Every man and every woman is a star." --AL. I. 3
There is no god but man.

1. Man has the right to live by his own law--

to live in the way that he wills to do:

to work as he will:

to play as he will:

to rest as he will:

to die when and how he will.

2. Man has the right to eat what he will:

to drink what he will:

to dwell where he will:

to move as he will on the face of the earth.

3. Man has the right to think what he will:

to speak what he will:

to write what he will:

to draw, paint, carve, etch, mould, build as he will:

to dress as he will.

4. Man has the right to love as he will:--

"take your fill and will of love as ye will,

when, where, and with whom ye will." --AL. I. 51

5. Man has the right to kill those who would thwart these rights.

"the slaves shall serve." --AL. II. 58 "Love is the law, love under will." --AL. I. 57

Annual Babalon Rising Ritual
Description coming soon

Rev. Bill Duvendack
Inspired by the movie “Nightbreed,” this ritual draws heavily on the mythology from the imagination of Clive Barker and his tribes of the moon who gather at Midian. Until one gives meat to Baphomet, they ARE meat for Baphomet. In this ritual, participants will bring and offer raw meat to Baphomet at the Baphomet shrine in order to be recognized as a member of the tribes of the moon who follow Baphomet. Ritual garb is suggested by not required. Bring raw meat, even if you are not a meat eater. The meat will be offered to Baphomet, not consumed by the participant.

Blue Equinox Oasis
This ritual draws inspiration from Aleister Crowley’s invocation of Hekate, the Orphic Hymns, and the writings of Jack Parsons. This immersive experience will include active participation from attendees, inviting all present to contribute their energy and intention as we invoke and explore the mysteries of the Goddess.

TBA
Are you free? Or do you still feel burden by the restrictions of the slave religions? Do you still sting from the whips of your former Masters? Join me around the fire for a formal renunciation of the slave religions and trod upon their symbols. Come let us dance into the new aeon! You have nothing but your chains to lose.

Laurelei Black
(All-Inclusive, Level-1)

The Sacred Touch Circle has been a formative part of the Babalon Rising experience since the festival's inception.  This sacred sexuality ritual  is open to ALL festival attendees who wish to participate. "Level 1" means that participants will not be engaging in penetrative sex during our time together.  The Process: Laurelei will be working with a select troupe of friends to provide each participant with intimate sensual touch in a sacred space, as well as guiding the whole group in the intuitive, sensual, and respectful giving of sacred, sensual touch.  As you take your place in the center of the circle (a pillowed oasis on the floor), you will be greeted, anointed, and then asked about personal boundaries and any specific preferences. There, you will be made comfortable --  lying or sitting in whatever position you prefer --  while we (all those seated in the circle around you) touch (caress, massage, lick, bite, pinch) your body in ways that are both in keeping with YOUR boundaries and OURS as individuals.  Mike Manor, the facilitator who brought this practice to BR, said, "The earthiness of Sacred Touch results from a conscious democratizing of sacred sexuality, recognizing that divine gifts should be shared by the many and not limited to the few. Here we celebrate the human body as a vessel to be appreciated as a true treasure. " Each touch encounter usually lasts between 5-15 minutes and ends either when you speak the safe word or when the group-mind reaches a "release."  PLEASE BRING: Water to drink, blankets/pillows for your own comfort on the ground 

This crash course in ancient Egyptian writing systems introduces all phases of writing from hieroglyphs to Coptic, with written examples of magic in each phase. Hieroglyphs will be given the greatest emphasis, with a free handout covering the most important signs, as well as the most useful signs with magical applications. My goal is to give you all the tools you need to start reading Egyptian and continue a program of self-study. No prior experience necessary!

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Beginning with a brief discussion on comparative religion and the importance of "hearth deities," this presentation will conclude with workshop involving the development of your own deity and its visual representation through the techniques practiced by the Nahua people of Central Mexico.

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The Gnostic Mass recognizes Hippolytus for having transmitted the light of Gnosis to us, but who was Hippolytus, and what was early Gnosticism like in the 2nd and 3rd centuries C.E.? Come learn the secret teachings that Crowley didn't live long enough to see uncovered.

One of the most pernicious ideas about Enochian magick is that its practice will, in some way, bring about the literal end of the world. In the Aurum Solis Enochian system, the four Watchtower Kings are identified with the Four Horsemen of the Apocalypse, and that identification probably has something to do with this idea's origin. The biggest culprit responsible for spreading it far and wide, though, is Donald Tyson, who first wrote about this theory in "Tetragrammaton" and elaborated further in his following book, "Enochian Magic for Beginners." When I first read those two books, I found the Enochian Apocalypse ridiculous and was later shocked to find people who treated it very seriously.

This presentation will discuss where the modern concept of the Apocalypse originated, the apocalyptic imagery that is admittedly present in the Enochian system, and how magicians should engage with that imagery in an effective way. I will also discuss Aleister Crowley's aeonic model, which was heavily influenced by his own Enochian work documented in The Vision and the Voice, and how Thelemic magicians can understand Enochian in the context of that model without resorting to the misguided beliefs of modern evangelical Christians. This analysis also reveals a strong connection between Thelemic and Enochian magick that may not be obvious given the extensive Christian symbolism of John Dee and Edward Kelley's original revelations.     

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We have all experienced events where a bit of light thrown on the hidden/obscured would help further our goal. In such situations the powers of Pluto can help be that light opening our eyes to the changes, transformations, and secrets. Join us as we use makeup magick to harness the powers of Pluto in our lives. Let’s open our planetary toolbox & discuss a powerful yet underused tool. We will each create a personal “Eyes of Pluto”.  (all supplies provided)

Communication is of high importance in all aspects of our lives. How well we can convey ourselves & our ideas to others promotes the progress of our goals. Join us as we use makeup magick to harness the powers of Mercury in daily interactions. Let’s open our planetary toolbox & discuss a powerful yet underused tool. We will each create a personal “Lips of Mercury”.  (all supplies provided)

Many of us magicians are familiar with the Lesser Key of Solomon, and it's 72  demons. But the tradition of Goetia is far richer than mere Solomonic sorcery. Join me in an exploration of ancient necromancy, techniques of Graeco-Egyptian low magic, and how we can utilize its ancient praxis in the modern world.

The Gnostic Mass is described as the central ritual, public and private, of Ordo Templi Orientis. It is a dramatic ritual that enacts the union of Nuit and Hadit, Therion and Babalon, and is also said to embody the "Supreme Secret" of OTO. How does all that work?

While many interpretations of the Mass have been put forth, this presentation will examine it along the lines of a ceremonial magick ritual and exemplar of spiritual technology. In that context, the Mass is built on a ritual structure common to other Thelemic ceremonial rituals and involves the assumption of godforms, energy work, and a functional eucharist that can be employed for specific magical objectives.

In this class , I would speak on the history of the game of hope. From it’s humble roots in Germany as a game, to the world famous reader who’s name this system bears, and beyond! I will also talk about my history with the cards and cover the basics of lenormand. (I might even share some funny stories and other experiences with the cards!)  

Magick is an ever growing, and evolving practice. Experimentation is key to furthering ourselves, and the art itself. Taking ritual formula and manipulating the variables can bring wonderous outcomes. Becoming comfortable with manipulating the variables in ritual is one of the first steps to building personalization into your practice. All are encouraged to bring personal adaptations of ritual to the table. I will present several examples from my own practice, including a personalized version of Resh I have used daily since 2014. Take a working ritual formula and dial it into yourself and make some magick happen! 

Enochian Magick first came into vogue in the 16th century through the works of John Dee and Edward Talbot. It has since inspired students to innovate their own practices and develop ways of understanding their great work in every generation. This presentation examines the Enochian letters and keys as a system of runes that are cast using the tablet of Nalvage. I will also discuss in greater depth the Tablet of Nalvage, Enochian linguistics, and draw parallels between Enochian magical practice, Ifa religion and Diloggun, or the divinatory practice of casting shells.

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Spirit Painting is an art movement that evolved out of the Spiritualism of the 19th century. It parallels and in part inspired the art experiments of Surrealism. It strongly follows the psychological approaches of Carl Jung who studied mythic archetypes and the subconscious mind. Through techniques like automatic drawing, we can enter an altered state necessary for embarking upon a course of shadow work through the act of drawing, painting, etc.

This class takes a look at examples of the artwork produced between the 19th century and the present day as well as the importance of understanding how we relate to our higher and lower selves in order to shift our consciousness between each of these states to bring the information necessary for this work back into the middle world, where we live, work, and play. In this practice the artist adopts shamanic traits and acts as a medium, transmitting information from our spirit guides and allies. We will also spend time using these techniques in our painting practice and discuss the symbolism that appears through our artistry.

The first half of this class considers the history of Spirit Painting. The second half of this class we will practice spirit painting. Materials will be provided. 

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Yara will be guiding a round table discussion regarding magickal obstacles related to neurodivergence. Participants will be able to ask questions of other neurodivergent occultists and their experiences in order to better understand our individual journeys.

This is an event for others to share personal anecdotes and suggestions and is not intended to treat, diagnose, cure, or prevent any medical issue or substitute professional consultation.

Meditation, breathing techniques, touch, gaze, and positions

Magic has sometimes been called the “Royal Art,” largely due to the propensity in the Ancient Mediterranean and Near Eastern world (and later in Early Modern Europe) for practices like theurgy and thaumaturgy to be reserved only for members of the royal house -- or their designees. Women have taken an active part in these arts, although history and folklore have more readily recorded their gifts and contributions as something different than their fathers and brothers -- usually as poetry, witchcraft, and even prostitution. Join Laurelei Black for a look behind the veil that has shrouded the power and impact of these mighty women of magic.

Aka: "Intro to Babalon Rising Festival;" "Aka: "All First-Timers Should Attend." Babalon Rising gives both fledgling and experienced Magicians the opportunity to explore their own boundaries -- magickally, spiritually, energetically, and sexually. Join Laurelei and other BR-veterans in an open, candid group discussion about respecting and working with both your own boundaries and those of other attendees in a conscious and conscientious Will-based environment.  If you are new the festival, it is HIGHLY recommended that you come to this workshop. (If you are a returning attendee, it is also highly recommended.) 

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An inspiring look at the Pagan specific beliefs and practices surrounding the topic of sex known as sacred sexuality. Learn about the major influences and the themes of nudity, sensuality, ecstasy, sexual orientation, gender identity, non-monogamy, sexual taboos, sex magick and fertility magick. Consider how sacred sexuality differs from the mainstream mentality about sex and the transformative healing potential that it has.

Sigil crafting is a fundamental aspect of chaos magick as way to manifest your will. There are numerous systems and methods to make and charge sigils.

Whether you are brand new  to making sigils or well versed, you will learn something new in this interactive workshop.

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Or How I Learned to Let Go and Be God. a discussion on the formula of theistic operative force in historical magic

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A brief overview of Chakras and deeper dive into the Sacral Chakra which is the center of our sexual and creative energy. Learn the differences between a healthy, overactive, or blocked Sacral Chakra. Gain awareness of common reasons this Chakra becomes unbalanced, and a variety of different proactive methods for restoring it to health. 

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